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  • The FRANKENREADS: An international celebration of the 200th anniversary of Mary Shelley’s Frankenstein for Halloween 2018

    Additional Content On October 29, come celebrate Halloween and the 200th anniversary of Mary Shelley's Frankenstein with the School of English and the English Society. The event will take place from 6 to 8 p.m. in CPD-LG.10.  Refreshments included. Come dressed up as your favorite monster – prizes for best costumes. 6 to 6:30 p.m. Frankenreads Read, watch, or listen to excerpts from Frankenstein and its adaptations. […]

  • On the (Im)Possibilities of a Free Theatre: The Impact of Developmental Funding on Palestinian Drama

    Room CRT-7.45, 7/F, Run Run Shaw Tower, Centennial Campus, HKU

    Dr Rashna Darius Nicholson - The University of Hong Kong (https://englishhkuhk.foarts.hku.hk/people/Faculty/87/Dr%20Rashna%20Darius%20Nicholson) Abstract This presentation offers an outline of the impact of non-governmental and governmental funding on theatre with additional examples from the visual arts and music in the Occupied Palestinian Territories. Foreign aid to both the Palestinian Authority through the Ministry of Culture as well […]

  • The British Library, Digital Humanities and Your Research

    Room CRT-7.45, 7/F, Run Run Shaw Tower, Centennial Campus, HKU

    Dr Anya Adair - The University of Hong Kong (https://englishhkuhk.foarts.hku.hk/people/Faculty/84/Dr%20Anya%20Adair) || Dr Luisa Mengoni and Ms Alexandra Ault - The British Library (https://www.bl.uk/people/experts/alexandra-ault) Abstract Scholarly work that is enabled, supported or disseminated to a wider audience via the tools and platforms of the digital humanities is an increasingly important part of grant applications, knowledge exchange […]

  • Iterations of the Microeconomic Mode

    Room CRT-7.45, 7/F, Run Run Shaw Tower, Centennial Campus, HKU

    Dr Jane Elliott - King’s College London (https://www.kcl.ac.uk/english/about/people) Abstract This talk examines what transpires when the economic dynamics of primitive accumulation are transposed into what I call ‘the microeconomic mode’, a dominant contemporary aesthetic formation that brings together abstraction, extremity, and painful, life-or-death choices made by individual agents. I focus on The Revenant—both the recent film starring Leonardo DiCaprio and the […]

  • The Anglo-Saxon Chronicle and its Afterlives

    Room CRT-7.45, 7/F, Run Run Shaw Tower, Centennial Campus, HKU

    Professor Daniel Anlezark - The University of Sydney (https://sydney.edu.au/arts/about/our-people/academic-staff/daniel-anlezark.html) Abstract According to all available evidence, the Anglo-Saxon Chronicle was the most widely disseminated vernacular text in early medieval England. The Chronicle was composed in Old English some time in the late ninth century, and its earliest versions are closely associated with King Alfred the Great. […]

  • Cartoons, Creativity, Censorship

    Room CRT-7.45, 7/F, Run Run Shaw Tower, Centennial Campus, HKU

    Larry Feign - Author and Cartoonist (https://larryfeign.com/author.html) Abstract Like most political cartoonists, Larry Feign doesn’t back down from sensitive subjects. His hardheadedness has gotten him fired before – from the South China Morning Post – but it’s won him ample credibility. His cartoons have appeared in Time, Newsweek, The Economist, Fortune, the New York Times, […]