Events
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“Silas Mullett His Book His Hand & Pen”: an unpublished MS song & ballad collection from 1806
Room CRT-7.45, 7/F, Run Run Shaw Tower, Centennial Campus, HKUDr. Simon Alderson - Cygnet Communications Ltd (https://www.cygnet.com.hk/about.html) Abstract For a number of reasons, the English ballad and popular song have always stood in an uncomfortable relationship with traditional literary history. This is partly because ballads and songs have mostly lacked the features of single authorship, educated readership, and mainstream printing and publishing validation that […]
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‘Thus Began Outrage from Liveless Things’: Nature’s Hostile Turn in Milton’s Paradise Lost
Room CRT-7.58, 7/F, Run Run Shaw Tower, Centennial Campus, HKUDr. Miles Link - Department of English, Fudan University Abstract After Adam and Eve’s temptation in John Milton’s biblical epic Paradise Lost, the Earth is drastically altered to reflect humans’ fallen state. The planet is knocked off its axis, animals turn on one another, and the character of existence itself changes: from now on, life on […]
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A Challenge to the fin de siècle poem: Four alternative fin de siècle poets – Hardy, Field, Meynell, Kipling
Room CRT-7.58, 7/F, Run Run Shaw Tower, Centennial Campus, HKUProfessor Isobel Armstrong - Department of English and Humanities, Birkbeck, University of London (http://www.bbk.ac.uk/english/our-staff/emeritus-staff/isobel-armstrong) Abstract Generally dominated by the Aesthetic Movement and Decadent poets, mainly male, in critical discussion, I suggest that late nineteenth-century poetry was more varied and experimental than our customary frameworks suggest. I work with late-century Darwin to provide another model for […]
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Englishes, English Creoles and their Negative Indefinites
Room CRT-7.45, 7/F, Run Run Shaw Tower, Centennial Campus, HKUProfessor Johan van der Auwera - Department of Linguistics, University of Antwerp (https://www.uantwerpen.be/en/staff/johan-vanderauwera/my-website/) Abstract The talk reports on a typological study of negative indefinites, i.e., the counterparts to standard English nobody and nothing, in Englishes, primarily the New Englishes, and in English Creoles. Particular attention goes to "Negative Concord" ("NC"), i.e., the exponence of negation through both a […]
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From Diamonds to Samosas: The Uneven ‘Global’ Diffusion of Parsi Theatre
by Dr. Rashna Nicholson (Ludwig Maximilian University of Munich)
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The World of the Play: Theatre as “Re-Creation”
by Dr. Michael Bennett (University of Wisconsin-Whitewater)
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Filial Power
by Dr. Arifani Moyo (Royal Holloway University of London)
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The Modernist Theatrum Mundi: Jean Cocteau’s Around-the-World Performance
by Dr. Kevin Riordan (Nanyang Technological University)
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Saying and Renunciation in Chang Chung-yuan’s Commentary to the Dao De Jing
Room CRT-7.45, 7/F, Run Run Shaw Tower, Centennial Campus, HKUDr. Johan Siebers - Religious Studies Unit, Middlesex University London (https://www.mdx.ac.uk/about-us/our-people/staff-directory/profile/siebers-johan) Abstract One of the most conspicuous aspects of the Dao De Jing is its negative view of language. Language is unable to express the full nature of being, the Dao, which is, rather, open only to an intuitive, direct and ineffable, spontaneous and creative […]